
MASPALOMAS, GRAN CANARIA, SPAIN27°45'36"N 15°35'50"W · MAY · LOVERS SESSION
THE QUIET BETWEEN THEM
By day two, nobody could tell where the visit ended and the photographs began.
I met Angela and Ivan in 2017 at a workshop in Barcelona. Eight of us were speaking; they came along with an illustrator friend. Everyone else had gone home by the time we finally stopped talking, two hours later. A few months after that, I flew to Gran Canaria and spent most of a week at Ivan's mother's place. She used to photograph too, back when that meant film and a darkroom.
Was this a shoot or a visit? By day two, I couldn't tell anymore. We swam, drove around the south of the island, and slept in a campervan that smelled like salt and diesel. I had a feeling in mind, but no fixed plan.
What I still remember about them has very little to do with the dunes or the light. Angela and Ivan were simply quiet with each other. Love, closeness, two people paying attention without needing to turn it into anything. The camera was there. They didn't have to perform for it.










Ten minutes inland and the ocean disappears behind you. Just sand, wind, and whatever's left of the conversation.












Then the light goes, and the day folds itself into something smaller.













Somewhere on the drive back, this stops being a shoot and turns back into an ordinary evening with friends.







Angela and Ivan are still together. Nine years now, and still, from what I can tell on Instagram at 1am, insufferably good at what they do.
I don't know where you file a week like that afterward. The light was good, sure. But that's not why it stayed. What stayed was the quiet between them, and the feeling that at some point I was no longer visiting and still not quite working either. Some sessions you deliver. This one I just got to keep.
This Gran Canaria lovers session was photographed over several days around Maspalomas. Angela and Ivan took me into open water, across the dunes, and up into the volcanic hills above the coast. The photographs are cinematic and documentary, with deliberately made portraits in between, but no rigid shot list. It was less about a perfect schedule than time, quiet, and the closeness between two people who did not need to change for a camera.
